"Schumann: Kinderszenen, Op. 15: VII. Träumerei" by Robert Schumann, Maria João Pires was released on October 1, 1990. The duration of Schumann: Kinderszenen, Op. 15: VII. Träumerei is about 3 minutes long, at 3:14. Based on our data, "Schumann: Kinderszenen, Op. 15: VII. Träumerei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Schumann : Kinderszenen, Waldszenen & Bunte Blätter". In this album, this song's track order is #7. Schumann: Kinderszenen, Op. 15: VII. Träumerei is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schumann: Kinderszenen, Op. 15: VII. Träumerei by Robert Schumann, Maria João Pires having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Major for Violin and Piano, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, Jan Vogler, Helmut Branny | B Major | 1 | 1B | 82 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
6 Pieces, Op. 19: IV. Nocturne (Andante sentimentale) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud | E Major | 0 | 12B | 68 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. M. Moszkowsky for piano) | George Frideric Handel, Moritz Moszkowski, Roberto Cominati | D Major | 0 | 10B | 70 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM |
Section: 0.7146177291870117
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