Felix Mendelssohn, Javier Perianes's 'Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78' came out on November 3, 2014. The duration of Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Javier Perianes's "Mendelssohn: Lieder ohne Worte (Songs without Words)" album is number 3 out of 20. On top of that, France appears to be the country where this track was created. In terms of popularity, Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 by Felix Mendelssohn, Javier Perianes to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Nocturne No. 16 in C Major, H.60 | John Field, Elizabeth Joy Roe | G Major | 1 | 9B | 70 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: 4. Dance of Buchum | Béla Bartók, Hélène Grimaud | D Major | 1 | 10B | 171 BPM | ||
Keyboard Concerto in F Major, Hob.XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B♭ Major | 1 | 6B | 104 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Piano Concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 1 | 8A | 112 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM |
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