Christoph Willibald Gluck, Jean-Yves Thibaudet's 'Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie)' came out on January 1, 2007. The duration of Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) is about 3 minutes long, at 3:24. Based on our data, "Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 11 in Aria: Opera Without Words by Jean-Yves Thibaudet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) by Christoph Willibald Gluck, Jean-Yves Thibaudet is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una melodia di Gluck "The Therapy Room" - Re-Recorded Version | Christoph Willibald Gluck, Ezio Bosso | D Minor | 0 | 7A | 71 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata in D Minor, K.32: Aria | Domenico Scarlatti, Daria van den Bercken | D Minor | 0 | 7A | 110 BPM | ||
Elegie, Op. 24 (version for cello and orchestra) | Gabriel Fauré, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A♭ Major | 0 | 4B | 86 BPM | ||
Montero: Improvisation on Handel's Sarabande | Gabriela Montero | D Minor | 1 | 7A | 127 BPM | ||
Suite in D Minor, HWV 447: Sarabande | George Frideric Handel, David Greilsammer | D Minor | 0 | 7A | 137 BPM | ||
String Quartet No. 2 in D major: III. Notturno - Andante | Alexander Borodin, Chilingirian Quartet | A Major | 1 | 11B | 84 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM |
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