Gottfried Heinrich Stölzel, Daniil Trifonov's 'Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)' came out on February 11, 2022. The duration of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) is about 3 minutes long, at 3:29. Based on our data, "Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 35 out of 58 in BACH: The Art of Life (Encore Edition) by Daniil Trifonov, Johann Christoph Friedrich Bach, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) by Gottfried Heinrich Stölzel, Daniil Trifonov is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in G Minor, Op. 15: II. Allegro, ma non agitato - Live | Bedřich Smetana, Daniil Trifonov, Leonidas Kavakos, Gautier Capuçon | G Major | 2 | 9B | 88 BPM | ||
L'entretien des Muses | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 177 BPM | ||
Trio élégiaque No. 2 in D Minor, Op. 9: III. Allegro risoluto | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov, Giedre Dirvanauskaite | G Minor | 1 | 6A | 73 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) | Franz Liszt, Daniil Trifonov | F♯ Major | 1 | 2B | 64 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
Piano Sonata No. 13 in B flat, K.333: 2. Andante cantabile | Wolfgang Amadeus Mozart, András Schiff | E♭ Major | 0 | 5B | 81 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM | ||
Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM |
Section: 0.8258876800537109
End: 0.8295364379882812