"Du bist die Ruh, Op. 59/3, D. 776" by Franz Schubert, Mischa Maisky, Daria Hovora was released on January 1, 1996. With this song being about 5 minutes long, at 5:01, "Du bist die Ruh, Op. 59/3, D. 776" by Franz Schubert, Mischa Maisky, Daria Hovora is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Schubert: Songs without Words". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Du bist die Ruh, Op. 59/3, D. 776 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Du bist die Ruh, Op. 59/3, D. 776 by Franz Schubert, Mischa Maisky, Daria Hovora having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Au bord de l'eau, Op. 8, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | D Major | 1 | 10B | 84 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Vocalise - Étude (en forme de habañera) | Maurice Ravel, Mischa Maisky, Pavel Gililov | G Major | 2 | 9B | 142 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Arcadi Volodos | B Minor | 0 | 10A | 69 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM |
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