12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino)
Franz Liszt, Daniil Trifonov
Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)
9:29 October 7, 2016
BPM
64
Key
F♯ Major
Camelot
2B

Embed

Share Link

12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) - Franz Liszt, Daniil Trifonov Information

Acousticness
98%
Danceability
22%
Energy
5%
Instrumentalness
90%
Liveness
10%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.55 dB

Summary

"12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino)" by Franz Liszt, Daniil Trifonov was released on October 7, 2016. Since 12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)". In this album, this song's track order is #11. 12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) BPM

With 12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) by Franz Liszt, Daniil Trifonov having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

12 Etudes d'exécution transcendante, S.139: No.11 Harmonies du soir (Andantino) Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major by Fanny Mendelssohn, Sophie PaciniMendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B MajorFanny Mendelssohn, Sophie PaciniD♭ Minor012A68 BPM
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga by Johann Sebastian Bach, Lang LangGoldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di GigaJohann Sebastian Bach, Lang LangG Major19B71 BPM
Piano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioni by Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio AbbadoPiano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioniSergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio AbbadoC Major18B80 BPM
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) by Claude Debussy, Martha Argerich, Stephen KovacevichDebussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live)Claude Debussy, Martha Argerich, Stephen KovacevichD Minor07A107 BPM
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - by Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzBach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio -Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzD Major110B143 BPM
Fantasiestucke, Op. 12: Des Abends by Benjamin Frith, Robert SchumannFantasiestucke, Op. 12: Des AbendsBenjamin Frith, Robert SchumannD♭ Major03B123 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847Daniel BarenboimC Minor15A68 BPM
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 by Clara Schumann, Lisa Maria SchachtschneiderVariations on a Theme by Robert Schumann, Op. 20: Var. 6Clara Schumann, Lisa Maria SchachtschneiderB Minor010A77 BPM
Lyric Pieces Book III, Op. 43: No. 1 Butterfly by Edvard Grieg, Emil GilelsLyric Pieces Book III, Op. 43: No. 1 ButterflyEdvard Grieg, Emil GilelsF♯ Minor011A66 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6388957500457764

End: 0.6431446075439453