"Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live)" by Claude Debussy, Martha Argerich, Stephen Kovacevich was released on June 25, 2021. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claude Debussy, Martha Argerich's "Martha Argerich Plays Debussy" album is number 8 out of 12. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) by Claude Debussy, Martha Argerich, Stephen Kovacevich to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Suite No.2 For 2 Pianos, Op.17: 3. Romance (Andantino) | Sergei Rachmaninoff, Martha Argerich, Nelson Freire | A♭ Major | 0 | 4B | 78 BPM | ||
Fantasy In C Major "Wanderer" - Solo Piano, D 760: Adagio | Franz Schubert, Evgeny Kissin | D♭ Minor | 0 | 12A | 107 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM |
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