Jean-Philippe Rameau, Víkingur Ólafsson's 'L'entretien des Muses' came out on March 27, 2020. The duration of L'entretien des Muses is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. L'entretien des Muses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 28 in Debussy – Rameau by Víkingur Ólafsson, Claude Debussy, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of L'entretien des Muses is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'entretien des Muses by Jean-Philippe Rameau, Víkingur Ólafsson is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
Concerto for Clarinet and Orchestra No. 2 in D Minor "La Fenice": II. Adagio | Antonio Vivaldi, Martin Fröst, Concerto Köln | A♭ Minor | 0 | 1A | 63 BPM | ||
Fantasia & Fugue in A Minor, BWV 904: I. Fantasia | Johann Sebastian Bach, Víkingur Ólafsson | A Minor | 1 | 8A | 130 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Préludes / Book 2, L. 123: VIII. Ondine | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Nocturne No.6 in F Major, ‘Cradle Song’, H.40 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 69 BPM | ||
Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 4 | 10B | 158 BPM | ||
Concerto In A Minor, RV 356: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | G Minor | 0 | 6A | 68 BPM |
Section: 0.6714582443237305
End: 0.6750261783599854