"Dona Nobis Pacem: Agnus Dei" by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill was released on April 27, 2010. The duration of Dona Nobis Pacem: Agnus Dei is about 3 minutes long, at 3:26. Based on our data, "Dona Nobis Pacem: Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Dona Nobis Pacem - Sancta Civitas by Ralph Vaughan Williams, David Hill. The song's track number on the album is #1 out of 16 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Dona Nobis Pacem: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dona Nobis Pacem: Agnus Dei by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dona Nobis Pacem: Agnus Dei being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion / Part 2: Recit,Chorus: "And then did the soldiers..." | Johann Sebastian Bach, Robert Tear, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | B♭ Major | 1 | 6B | 103 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Divertimento: VI. Sphinxes: Adagio lugubre | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
St. Matthew Passion, BWV 244 - Rev. Elgar, Atkins / Pt. One: Chorus: "Come, ye Daughters, Share my Mourning" | Johann Sebastian Bach, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | E Minor | 2 | 9A | 69 BPM | ||
The Music Makers, Op. 69: VII. And therefore today Is thrilling | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Requiem, Op. 9: VIII. Libera Me | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | G Minor | 1 | 6A | 69 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM |
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