"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo" by Felix Mendelssohn, London Symphony Orchestra, Peter Maag was released on January 1, 2000. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Jennifer Vyvyan, Marion Lowe, London Symphony Orchestra, Peter Maag, Female Chorus of the Royal Opera House, Covent Garden's "Mendelssohn: Symphony No.3; A Midsummer Night's Dream" album is number 8 out of 12. In terms of popularity, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo by Felix Mendelssohn, London Symphony Orchestra, Peter Maag to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
String Quartet No.6 In F Minor, Op.80, MWV R 37: 3. Adagio | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 0 | 4B | 79 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Piano Concerto No.2 in D Minor, Op.40, MWV O11: 1. Allegro appassionato | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | D Minor | 2 | 7A | 92 BPM | ||
Departure of Boba Fett | John Williams, London Symphony Orchestra | D Major | 2 | 10B | 139 BPM |
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