Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra's 'Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele)' came out on October 14, 2013. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 21 in Forever by Diana Damrau, Royal Liverpool Philharmonic Orchestra. Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) by Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Piano Concerto in A Minor, Op. 7: 2. Romance: Andante non troppo con grazia | Clara Schumann, Isata Kanneh-Mason, Jonathan Aasgaard, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A♭ Major | 0 | 4B | 74 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 1 Scene 6: No. 4, Rezitativ und Arie, "O zittre nicht, mein lieber Sohn!" (Königin der Nacht) | Wolfgang Amadeus Mozart, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 132 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM |
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