"Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho" by Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev was released on December 20, 2019. The duration of Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Relaxing Rachmaninov". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho by Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
5 Morceaux de fantaisie, Op. 3: III. No. 3, Mélodie | Sergei Rachmaninoff, Kotaro Fukuma | B Major | 0 | 1B | 67 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |
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