Luciano Pavarotti, Renata Scotto's 'La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi)' came out on January 1, 1992. The duration of La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) is about 3 minutes long, at 3:12. Based on our data, "La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "La Traviata" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) by Luciano Pavarotti, Renata Scotto to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" - Live | Jules Massenet, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | D Major | 3 | 10B | 83 BPM | ||
Don Pasquale / Act 3: "Com'è gentil" | Gaetano Donizetti, Luciano Pavarotti, Ambrosian Singers, New Philharmonia Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 114 BPM | ||
Gloire immortelle - Remasterizado | Luis Cobos | E Major | 3 | 12B | 122 BPM | ||
La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" | Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno | C Minor | 3 | 5A | 78 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
Rusalka, Op.114 / Act 1: O Silver Moon | Nancy Gustafson, Orchestra del Teatro Comunale di Bologna, Leone Magiera | F♯ Major | 3 | 2B | 84 BPM | ||
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
Marechiare | Luciano Pavarotti | B♭ Minor | 2 | 3A | 134 BPM |
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