"William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto"" by Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno was released on January 1, 1971. Since William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Tenor Arias from Italian Opera". In this album, this song's track order is #1. William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" by Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesiana / Act 2: "E'la solita storia" (Il lamento di Federico) | Francesco Cilea, Luciano Pavarotti, Royal Philharmonic Orchestra, Kurt Herbert Adler | F Major | 3 | 7B | 89 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Certe notti | Ligabue, Luciano Pavarotti, Orchestra filarmonica di Torino, Marco Armiliato | A Major | 7 | 11B | 181 BPM | ||
La Traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | C Major | 4 | 8B | 70 BPM | ||
Otello / Act 2: "Sì, pel ciel marmoreo giuro!" - Live | Giuseppe Verdi, Luciano Pavarotti, Leo Nucci, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 6 | 10A | 89 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM |
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