Gaetano Donizetti, Luciano Pavarotti, Ambrosian Singers, New Philharmonia Orchestra, Leone Magiera made "Don Pasquale / Act 3: "Com'è gentil"" available on January 1, 1998. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gaetano Donizetti, Luciano Pavarotti's "Luciano Pavarotti - Una Furtiva Lagrima: Donizetti Arias" album is number 10 out of 13. In terms of popularity, Don Pasquale / Act 3: "Com'è gentil" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Don Pasquale / Act 3: "Com'è gentil" by Gaetano Donizetti, Luciano Pavarotti, Ambrosian Singers, New Philharmonia Orchestra, Leone Magiera to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica proibita | Stanislao Gastaldon, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 4 | 10B | 76 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Luna d'estate | Francesco Paolo Tosti, Luciano Pavarotti, Leone Magiera | A♭ Major | 2 | 4B | 109 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Lucrezia Borgia / Act II: "Il segreto per esser felici" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero | C Major | 1 | 8B | 110 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Turandot / Act 1: Figlio, che fai? | Giacomo Puccini, Nicolai Ghiaurov, Luciano Pavarotti, Montserrat Caballé, Pier Francesco Poli, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B♭ Major | 4 | 6B | 99 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM |
Section: 0.7123532295227051
End: 0.7162742614746094