Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero's 'Lucrezia Borgia / Act II: "Il segreto per esser felici"' came out on November 26, 2022. The duration of Lucrezia Borgia / Act II: "Il segreto per esser felici" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Lucrezia Borgia / Act II: "Il segreto per esser felici"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 58 out of 131 in Donizetti: Essential Recordings by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lucrezia Borgia / Act II: "Il segreto per esser felici" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lucrezia Borgia / Act II: "Il segreto per esser felici" by Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale / Act 1: "Bella siccome un angelo" | Gaetano Donizetti, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
"La tarántula e un bicho" | Jerónimo Giménez, Anna Netrebko | C Major | 4 | 8B | 108 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
La Taberna del Puerto: No puede ser | Pablo Sorozábal, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 2 | 7B | 85 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Dvenadtsat' romansov (Twelve Romances), Op.60 - arranged by Andreas N. Tarkmann: No.7 Song of a Gypsy Girl | Pyotr Ilyich Tchaikovsky, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | A Minor | 1 | 8A | 124 BPM | ||
Le Postillon de Lonjumeau / Act 1: "Mes amis, écoutez l'histoire d'un jeune et galant postillon" | Adolphe Adam, Juan Diego Flórez, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | G Major | 2 | 9B | 88 BPM |
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