"Lakmé / Act 2: "Où va la jeune Indoue" (Bell song)" by Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on February 3, 2017. Since Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. The popularity of Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) by Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | A Minor | 1 | 8A | 85 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
Delibes: Lakmé, Act 1: "À l'heure accoutumée" (Mallika, Hadji, Chorus, Nilakantha) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Joseph Peyron, Roger Soyer, Orchestre du Theatre National de IOpera-Comique | F♯ Major | 1 | 2B | 167 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM |
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