"Fidelio: Quartett - Mir ist so wunderbar" by Herbert von Karajan, Berliner Philharmoniker was released on July 31, 2009. With this song being about 5 minutes long, at 4:47, "Fidelio: Quartett - Mir ist so wunderbar" by Herbert von Karajan, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 28 in Essential Beethoven by Ludwig van Beethoven, Various Artists. Fidelio: Quartett - Mir ist so wunderbar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio: Quartett - Mir ist so wunderbar by Herbert von Karajan, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Rudolf Kempe, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker | B Major | 2 | 1B | 85 BPM | ||
Tannhäuser, WWV 70 / Act III: "Wie Todesahnung... O du mein holder Abendstern" | Richard Wagner, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 104 BPM | ||
Symphony No.9 In D / 4. Satz: A tempo (Molto adagio) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 105 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM |
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