Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge made "Les Contes d'Hoffmann / Act 1: Entr'acte" available on January 1, 1972. With Les Contes d'Hoffmann / Act 1: Entr'acte being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Offenbach: Les Contes d'Hoffmann - Highlights". In this album, this song's track order is #4. In terms of popularity, Les Contes d'Hoffmann / Act 1: Entr'acte is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les Contes d'Hoffmann / Act 1: Entr'acte by Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
La traviata / Act 2: "Lunge da lei...De' miei bollenti spiriti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 82 BPM | ||
La Source / Act 2: 26. Pas de Naïla. Scherzo-Polka | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 0 | 12B | 154 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Tosca, SC 69 / Act 1: Recondita armonia | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | F Major | 2 | 7B | 59 BPM | ||
Gaîté parisienne: No. 23: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
The Tale Of Tsar Saltan - Suite, Op. 57: 1. The Tsar's departure and Farewell | Nikolai Rimsky-Korsakov, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 3 | 9B | 99 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM |
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