Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra made "Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu" available on July 8, 1999. The duration of Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu is about 3 minutes long, at 3:07. Based on our data, "Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #25. Based on our statistics, Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu by Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waterloo: Andante con moto - Alla marcia | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | E♭ Minor | 0 | 2A | 118 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
Les Sylphides: 4. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Dolly, Op. 56: 3. Le Jardin de Dolly | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Hoffmanns Erzählungen: Gleich stelle ich sie vor, meine Herr'n! | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Willy Hofmann, Chor, Rudolf Schock, Maria von Ilosvay, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta | Pyotr Ilyich Tchaikovsky, David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | E Minor | 1 | 9A | 125 BPM | ||
Strauss II, J: Strauss: Vom Donaustrande, Op. 356 | Johann Strauss II, Wiener Philharmoniker, Riccardo Muti | G Minor | 3 | 6A | 101 BPM |
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