Alexander Borodin, Leonard Bernstein, New York Philharmonic made "Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato" available on November 17, 2017. With Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Polovetsian Dances and other Russian Favorites (Remastered)". In this album, this song's track order is #8. In terms of popularity, Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato by Alexander Borodin, Leonard Bernstein, New York Philharmonic having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Images pour orchestre, L. 122: No. 2: Iberia: III. Le matin d'un jour de fete | Claude Debussy, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 124 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Leonard Bernstein, New York Philharmonic | A♭ Major | 1 | 4B | 91 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | C Minor | 2 | 5A | 114 BPM | ||
Allegro con fuoco | Emmanuel Chabrier, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 128 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 141 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM |
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