"Tosca, SC 69 / Act 1: Recondita armonia" by Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni was released on June 24, 2022. The duration of Tosca, SC 69 / Act 1: Recondita armonia is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Tosca, SC 69 / Act 1: Recondita armonia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni, Georges Bizet, Giacomo Puccini's "Il Tenore" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Tosca, SC 69 / Act 1: Recondita armonia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tosca, SC 69 / Act 1: Recondita armonia by Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale, Act III Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Mozart: Die Zauberflöte, K. 620: Ouverture (Adagio - Allegro) | Wolfgang Amadeus Mozart, Otto Klemperer, Philharmonia Orchestra | G Minor | 1 | 6A | 91 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM |
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