Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato made "Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)" available on October 18, 2022. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 75 in the song's album "Rossini: A Monument of Classics". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act I: "Di scrivermi ogni giorno" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 0 | 7B | 100 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster), ATTO TERZO, Scena prima: Il dolce suono mi colpi di sua voce! ... Ardon gli incensi (Lucia/Raimondo/Normanno/Coro) | Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Raffaele Arie, Gino Sarri, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | E♭ Major | 0 | 5B | 83 BPM | ||
Il Trionfo del Tiempo e del Disinganno, HWV 46a: "Lascia la spina cogli la rosa" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 180 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" | Franz Joseph Haydn, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | F Minor | 3 | 4A | 120 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM |
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