"Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)" by Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire was released on September 19, 2014. Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 1 out of 6 in Callas sings Rossini & Donizetti Arias - Callas Remastered by Maria Callas. Based on our statistics, Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) by Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM | ||
Romeo and Juliette, Act IV: Amour ranime mon courage | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
L'elisir d'amore (The Elixir of Love): Act I Scene 1: Cavatina - Benedette queste carte ... Della crudele Isotta | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | B♭ Major | 3 | 6B | 73 BPM | ||
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
La Fanciulla del West / Act 1: Che faranno i vecchi miei | Giacomo Puccini, Gwynne Howell, Francis Egerton, Paul Crook, Robin Leggate, Jonathan Summers, Tom McDonnell, William Elvin, John Dobson, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | G Major | 0 | 9B | 120 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
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