Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar"' came out on January 1, 2012. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 2 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Michael Kraus, Lotte Leitner, Wiener Philharmoniker, Sir Georg Solti | D Major | 2 | 10B | 122 BPM | ||
Le Nozze di Figaro, K. 492: Atto secondo. Scena 2. Recitativo La Contessa, Susanna, Cherubino "Quanto duolmi, Susanna" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 109 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 9: No. 7, Duettino, "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? | Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 144 BPM | ||
"Ch'io mi scordi di te... Non temer, amato bene", K.505 | Wolfgang Amadeus Mozart, Teresa Berganza, Geoffrey Parsons, London Symphony Orchestra, Sir John Pritchard | G Major | 2 | 9B | 105 BPM | ||
Die Zauberflöte, K.620 / Act 1: Zu Hilfe! Zu Hilfe! (Tamino, Die drei Damen) | Wolfgang Amadeus Mozart, Francisco Araiza, Anna Tomowa-Sintow, Agnes Baltsa, Hanna Schwarz, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 61 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
L'Europa riconosciuta: Numi, respiro...Ah, lo sento (Europa) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 1 | 9B | 127 BPM |
Section: 0.5889005661010742
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