"Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi"" by Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine was released on January 1, 1980. With this song being about 5 minutes long, at 5:29, "Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi"" by Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 20 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" by Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | B♭ Minor | 2 | 3A | 118 BPM | ||
Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 1 | 4B | 66 BPM | ||
Don Giovanni / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Ingvar Wixell, Luigi Roni, Wladimiro Ganzarolli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | B♭ Major | 3 | 6B | 76 BPM | ||
Haugtussa - Song Cycle, Op. 67: Ved gjaetle - bekken | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E Major | 1 | 12B | 78 BPM | ||
Don Giovanni, K. 527: Venite pur avanti | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel | G Major | 2 | 9B | 72 BPM | ||
Wagner: Tannhäuser, Act 3: "Heil! Heil! Der Gnade Wunder Heil!" (Pilger, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf) | Richard Wagner, Daniel Barenboim, Alfred Reiter, Gunnar Gudbjörnsson, Hanno Müller-Brachmann, René Pape, Staatskapelle Berlin, Stephan Rügamer, Thomas Hampson | E♭ Major | 2 | 5B | 158 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Anne Collins, Olaf Bär, Francisco Araiza, Yvonne Kenny, Iris Vermillion, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 78 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, Fiorello? ... Mio signore ... (Conte/Fiorello/Coro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 112 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM |
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