"I'te vurria vasà" by Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello was released on January 1, 1985. With this song being about 5 minutes long, at 5:08, "I'te vurria vasà" by Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Passione". In this album, this song's track order is #8. I'te vurria vasà is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I'te vurria vasà by Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Les Pecheurs de Perles, Act 1: Romance: Mi par d'udir ancora [Je crois entendre encore] | Georges Bizet, Orchestra, Eugene Goossens, Beniamino Gigli | C Major | 4 | 8B | 120 BPM | ||
'O sole mio | Eduardo di Capua, Alfredo Mazzucchi, Savage Garden, Luciano Pavarotti, Ars Canto G. Verdi, Cambodian And Tibetan Children's Choir, Orchestra Sinfonica Italiana, José Molina | G Major | 6 | 9B | 65 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Il Gladiatore | Hans Zimmer, Luciano Pavarotti, Bulgarian Symphony Choir, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra, Rob Mathes | E Minor | 4 | 9A | 84 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
La bohème, SC 67, Act I: O soave fanciulla - Live in Modena, 1967 | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Leone Magiera, Filarmonica del Teatro Comunale di Bologna | A Major | 2 | 11B | 86 BPM | ||
Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM |
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