"Tosca" by Renata Tebaldi was released on June 5, 2009. The duration of Tosca is about 3 minutes long, at 3:24. Based on our data, "Tosca" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vissi D'arte by Renata Tebaldi. The song's track number on the album is #2 out of 15 tracks. Based on our data, Italy was the country where this track was produced or recorded. Tosca is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tosca by Renata Tebaldi has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tosca being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F♯ Major | 3 | 2B | 73 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 76 BPM | ||
Adriana Lecouvreur / Act 3: Madamigella Lecouvreur! Venite | Francesco Cilea, Angelo Mercuriali, Silvio Maionica, Renata Tebaldi, Giulietta Simionato, Franco Ricciardi, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 103 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) | Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 168 BPM | ||
Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
Paride ed Elena, Wq. 39 / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Renata Tebaldi, Richard Bonynge | E Minor | 0 | 9A | 178 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco, respiro appena...Io son' l'umile ancella" | Francesco Cilea, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E Major | 1 | 12B | 82 BPM | ||
Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
Il Barbiere di Siviglia: Il Conte! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | G Major | 1 | 9B | 82 BPM |
Section: 0.9881260395050049
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