"La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1959. With this song being about 5 minutes long, at 4:51, "La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. La Bohème / Act 1: "Che gelida manina" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 1: "Che gelida manina" by Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM | ||
La forza del destino / Act 4: "Pace, pace, mio Dio" | Giuseppe Verdi, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | B♭ Minor | 1 | 3A | 77 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
La donna è mobile | Carlo Bergonzi | F♯ Major | 1 | 2B | 139 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM |
Section: 0.6765396595001221
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