Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan's 'Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio)' came out on 1961. The duration of Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) is about 3 minutes long, at 3:10. Based on our data, "Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. The popularity of Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) by Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM | ||
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM |
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