Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris's 'Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther)' came out on 1969. The duration of Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Victoria de los Ángeles, Nicolai Gedda, Orchestre de Paris, Georges Prêtre's "Massenet:Werther" album is number 11 out of 42. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) by Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo" | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 3 | 7B | 109 BPM | ||
Manon: 'Le coupable est Monsieur...et voilà sa complice' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | D Major | 2 | 10B | 92 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM |
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