Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn's 'Il bacio' came out on July 1, 2016. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Art of Coloratura". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Il bacio is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il bacio by Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Stanford Serenade, Op. 430: III. Vivement | Darius Milhaud, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Gilbert Varga | C Major | 4 | 8B | 117 BPM | ||
Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | F Major | 2 | 7B | 124 BPM | ||
Bastien & Bastienne, K. 50: Aria. Diggi, daggi | Wolfgang Amadeus Mozart, Vinson Cole, László Polgár, Edita Gruberova, Raymond Leppard, Liszt Ferenc Kamarazenekar | F Minor | 1 | 4A | 133 BPM | ||
Stabat mater, FP 148: Cujus animam gementem (Chorus) | Francis Poulenc, Marlis Petersen, SWR Vokalensemble Stuttgart, NDR Chor, Stuttgart Radio Symphony Orchestra, Stéphane Denève | C Major | 1 | 8B | 76 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Vogliatemi bene, un bene piccolino (Pinkerton/Butterfly) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F Major | 2 | 7B | 87 BPM | ||
Ariadne auf Naxos: "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen" | Richard Strauss, Olaf Bär, Andreas Conrad, Martin Finke, Gerd Wolf, Edita Gruberova, Gewandhausorchester, Kurt Masur | F Major | 2 | 7B | 79 BPM | ||
Oboe Concerto in C Major, Hob.VIIg:C1: III. Rondo: Allegretto | Joseph Haydn, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | B Minor | 0 | 10A | 75 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Zaide, K. 344, Act I (Fragment): Overtüre | Wolfgang Amadeus Mozart, Stuttgart Radio Symphony Orchestra, Alfons Rischner | E♭ Major | 2 | 5B | 177 BPM |
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