Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma's 'Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea)' came out on September 5, 1994. The duration of Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) is about 3 minutes long, at 3:25. Based on our data, "Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Umberto Giordano, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma's "Giordano: Andrea Chénier" album is number 16 out of 44. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) by Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Il lacerato spirito (Simon Boccanegra) | Cesare Siepi, Orchestra of the Accademia di Santa Celilia | B Minor | 2 | 10A | 73 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Verdi : La Traviata : Act 3 "Addio, del passato bei sogni ridenti" [Violetta, Chorus] | Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai | E Minor | 1 | 9A | 77 BPM | ||
Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM |
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