"Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix." by Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas was released on 1997. With this song being about 5 minutes long, at 5:18, "Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix." by Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maria Callas's "Maria Callas" album is number 8 out of 27. Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. by Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baracolle - From “The Tales of Hoffmann” | Katherine Jenkins, The Czech Film Orchestra, William Hayward | D Major | 5 | 10B | 163 BPM | ||
La Danza | Gioachino Rossini, Cecilia Bartoli, James Levine | C Major | 3 | 8B | 71 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht) | Wolfgang Amadeus Mozart, Natalie Dessay, Louis Langrée, Orchestra of the Age of Enlightenment | D Minor | 2 | 7A | 72 BPM | ||
Delibes: Lakmé, Act 1: "Viens, Mallika" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Orchestre de l'Opéra-Comique | B Major | 1 | 1B | 87 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | B♭ Major | 0 | 6B | 87 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Major | 1 | 3B | 82 BPM |
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