"Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht)" by Wolfgang Amadeus Mozart, Natalie Dessay, Louis Langrée, Orchestra of the Age of Enlightenment was released on November 1, 2000. The duration of Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée's "Mozart Heroines" album is number 1 out of 13. Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act II: "Der Hölle Rache" (Königin der Nacht) by Wolfgang Amadeus Mozart, Natalie Dessay, Louis Langrée, Orchestra of the Age of Enlightenment to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore: Act II: Scene 1: Vedi! Le fosche notturne spoglie | Giuseppe Verdi, Zubin Mehta, New Philharmonia Orchestra | G Major | 4 | 9B | 129 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Final | Natalie Dessay, Ensemble Agora | G Major | 3 | 9B | 92 BPM | ||
Delibes: Lakmé, Act I: "Dôme épais, le jasmin" (Lakmé, Mallika) | Léo Delibes, Natalie Dessay, Delphine Haidan, Michel Plasson, Orchestre Du Capitole De Toulouse | B Major | 2 | 1B | 132 BPM | ||
Samson et Dalila: Mon coeur s’ouvre à ta voix | Camille Saint-Saëns, Marie-Nicole Lemieux, Orchestre National De France, Fabien Gabel | A♭ Major | 1 | 4B | 70 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 10: Duettino - Sull'aria | Donato Di Stefano, Maria Pia Ionata, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 0 | 6B | 82 BPM | ||
Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf | F Major | 3 | 7B | 110 BPM |
Section: 0.7312078475952148
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