Natalie Dessay, Ensemble Agora's 'Final' came out on October 20, 2007. With Final being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Natalie Dessay, Ensemble Agora's "La boîte à joujoux" album is number 13 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Final is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Final by Natalie Dessay, Ensemble Agora to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I puritani, Act II: "Qui la voce sua soave" (Elvira, Giorgio, Riccardo) | Vincenzo Bellini, Natalie Dessay, Franck Ferrari, Matthew Rose, Evelino Pidò, Concerto Köln | E♭ Major | 1 | 5B | 67 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Monteverdi: Madrigali guerrieri, et amorosi: Lamento della ninfa,SV 163 | Claudio Monteverdi, Emmanuelle Haïm, Le Concert d'Astrée | B♭ Minor | 1 | 3A | 82 BPM | ||
Ravel: Vocalise en forme de habanera, M. 51 | Maurice Ravel, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | G Major | 1 | 9B | 90 BPM | ||
Donizetti: Lucie de Lammermoor, Act 1: "Sur la tombe de mon père" (Edgard, Lucie) | Gaetano Donizetti, Evelino Pidò, Natalie Dessay, Roberto Alagna, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 74 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta) | Richard Strauss, Natalie Dessay, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 2 | 3B | 90 BPM | ||
Sa Maison | Natalie Dessay | A♭ Minor | 2 | 1A | 111 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM |
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