"Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra)" by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm was released on January 10, 2011. Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm's "Handel : "Cleopatra" - Giulio Cesare Opera arias" album is number 12 out of 19. Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Giulio Cesare in Egitto : Piangerò la sorte mia | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | E♭ Major | 1 | 5B | 135 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Acis and Galatea, HWV 49a, Act I: Happy We! (Galatea, Acis) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson, Jeremy Budd | A Major | 2 | 11B | 129 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Oft she visits this lone mountain" (Second Woman) - A Dance to entertain Aeneas | Henry Purcell, Emmanuelle Haïm | D♭ Minor | 2 | 12A | 137 BPM |
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