Francesco Cavalli, Philippe Jaroussky's 'Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse)' came out on March 8, 2019. The duration of Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) is about 3 minutes long, at 3:19. Based on our data, "Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Ombra mai fu - Francesco Cavalli Opera Arias". In this album, this song's track order is #1. In terms of popularity, Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) by Francesco Cavalli, Philippe Jaroussky having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Schwanengesang, D. 957: IV. Ständchen | Franz Schubert, Philippe Jaroussky, Jerome Ducros | B Major | 0 | 1B | 135 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM | ||
Cavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo) | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 79 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
Polifemo, Act III Scene V: Alto giove | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | E♭ Minor | 2 | 2A | 76 BPM |
Section: 0.5339384078979492
End: 0.5491805076599121