Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis's 'Stabat Mater: Pro peccatis suae gentis' came out on January 1, 2013. With Stabat Mater: Pro peccatis suae gentis being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #4. Stabat Mater: Pro peccatis suae gentis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Pro peccatis suae gentis by Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 1 | 6A | 73 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Vinci: Artaserse, Act 1: "Vo solcando un mar crudel" (Arbace) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 3 | 3B | 83 BPM | ||
Le Triomphe de la République ou Le Camp de Grand Pré, Scene 6: Entry of people of various nations | Francois-Joseph Gossec, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 137 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Gloria in D Major, RV 589: No. 8, Domine Deus, Agnus Dei | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 177 BPM |
Section: 0.6017851829528809
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