Francesco Cavalli, Cecilia Bartoli, György Fischer's 'Delizie contente' came out on January 1, 1992. The duration of Delizie contente is about 3 minutes long, at 3:02. Based on our data, "Delizie contente" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. In terms of popularity, Delizie contente is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delizie contente by Francesco Cavalli, Cecilia Bartoli, György Fischer is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Philippe Jaroussky | G Minor | 0 | 6A | 81 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 176 BPM | ||
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto" - "Non più mesta" | Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Gloria Banditelli, Enzo Dara, Michele Pertusi, Alessandro Corbelli, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 2 | 12B | 137 BPM | ||
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
La Resurrezione (1708), HWV 47: "Disserratevi oh porte d'Averno" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 127 BPM |
Section: 0.583327054977417
End: 0.5895590782165527