"Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius" by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on February 10, 2014. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 14 in C.P.E. Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann. Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in B Minor, H. 661, Wq. 182/5: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 2 | 3B | 89 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 75 BPM | ||
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 3 | 10B | 141 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Gloria | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | A Major | 1 | 11B | 77 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: III. Allegro assai | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 3 | 12A | 136 BPM | ||
Orfeo: Aria : "Dall'amor più sventurato" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | C Minor | 0 | 5A | 88 BPM |
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