"Orfeo: Aria : "Dall'amor più sventurato"" by Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux was released on 1990. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Voyage Baroque. Italie, Venise, Rome & Naples by Akademie für Alte Musik Berlin, Les Arts Florissants, René Jacobs, Maurice Steger. The song's track number on the album is #1 out of 60 tracks. Based on our data, France was the country where this track was produced or recorded. Orfeo: Aria : "Dall'amor più sventurato" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Orfeo: Aria : "Dall'amor più sventurato" by Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orfeo: Aria : "Dall'amor più sventurato" being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Gloria in D Major, RV 589: 8. Domine Deus, Agnus Dei | Antonio Vivaldi, Franco Fagioli, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 2 | 3B | 123 BPM | ||
Qualis avis cui perempta, S. 234: No. 3, Da per te, Virgo Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | G Major | 1 | 9B | 135 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso | Nicola Porpora, Andrea Primiani, Dario Luisi, Susanne Scholz, Fabio Storino, Guy Delvaux | A Major | 4 | 11B | 160 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Meride e Selinunte, Act III Scene III: Con alma intrepida | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | D♭ Major | 4 | 3B | 122 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM |
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