On January 1, 1992, the song "6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso" was released by Nicola Porpora, Andrea Primiani, Dario Luisi, Susanne Scholz, Fabio Storino, Guy Delvaux. The duration of 6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Nicolò Porpora: Sei Sinfonie Da Camera, Op. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. The popularity of 6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 6 Sinfonie da camera, Op. 2, No. 5 in E Minor: I. Affettuoso by Nicola Porpora, Andrea Primiani, Dario Luisi, Susanne Scholz, Fabio Storino, Guy Delvaux having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Trionfi del fato": "Combatton quest'alma" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Major | 3 | 5B | 132 BPM | ||
Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) | Leonardo Vinci, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 2 | 3B | 104 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Salve Regina, S. 308: No. 1, Salve Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | F Minor | 2 | 4A | 75 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
Pergolesi: Stabat Mater: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 3 | 11B | 119 BPM |
Section: 0.6405446529388428
End: 0.6450521945953369