Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti made "Pergolesi: Stabat Mater: XI. Inflammatus et accensus" available on October 28, 2013. With Pergolesi: Stabat Mater: XI. Inflammatus et accensus being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #11. In terms of popularity, Pergolesi: Stabat Mater: XI. Inflammatus et accensus is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pergolesi: Stabat Mater: XI. Inflammatus et accensus by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tito Manlio, RV 738 / Act 1: "Di verde ulivo" | Antonio Vivaldi, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | D Major | 3 | 10B | 141 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): III. Offertorium - Domine Jesu Christe - Quam olim Abrahæ | Wolfgang Amadeus Mozart, RIAS Kammerchor, Maximilian Schmitt, René Jacobs, Johannes Weisser, Freiburger Barockorchester, Sophie Karthäuser, Marie-Claude Chappuis | G Major | 3 | 9B | 105 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 109 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM |
Section: 0.5998919010162354
End: 0.6036739349365234