"Te Deum, H. 146: IV. Per te orbem terrarum" by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie was released on April 27, 1989. The duration of Te Deum, H. 146: IV. Per te orbem terrarum is about 3 minutes long, at 3:22. Based on our data, "Te Deum, H. 146: IV. Per te orbem terrarum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. The popularity of Te Deum, H. 146: IV. Per te orbem terrarum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: IV. Per te orbem terrarum by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Herr, wenn ich nur dich habe | Johann Michael Bach, Vox Luminis, Lionel Meunier | B♭ Major | 1 | 6B | 128 BPM | ||
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM |
Section: 0.7502236366271973
End: 0.7542154788970947