"Stabat Mater: 2. Cujus animam" by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1989. The duration of Stabat Mater: 2. Cujus animam is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Stabat Mater: 2. Cujus animam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #2. Stabat Mater: 2. Cujus animam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 2. Cujus animam by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM | ||
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto in B-Flat Major, Op.7, No.1: I. Andante | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A Major | 1 | 11B | 124 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Mirella Freni, Teresa Berganza, Solisti dell'orchestra "Scarlatti" Napoli, Ettore Gracis | D♭ Major | 1 | 3B | 97 BPM | ||
Stabat Mater (Hob. XXbis) 1767: IX. Fac me vere tecum flere | Joseph Haydn, Catherine Robbin, The English Concert, Trevor Pinnock | B Major | 5 | 1B | 125 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM |
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