"Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis" by Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse was released on October 17, 2014. With Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Pietà - Sacred works". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis by Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: "Stille amare" (Tolomeo) | George Frideric Handel, Philippe Jaroussky | A Minor | 0 | 8A | 121 BPM | ||
Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Dies irae, LWV 64/1: Dies irae dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 115 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: III. "Gabrielis ab ore" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 107 BPM |
Section: 0.6236979961395264
End: 0.6280782222747803