"Stabat Mater: XII. Fac ut animae donatur" by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic was released on July 26, 2000. The duration of Stabat Mater: XII. Fac ut animae donatur is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Stabat Mater: XII. Fac ut animae donatur's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 20 in Caldara: Missa Dolorosa / Stabat Mater / Sinfonias in G and E Minor by Antonio Caldara, Swiss-Italian Radio Chorus, Rene Clemencic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Stabat Mater: XII. Fac ut animae donatur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater: XII. Fac ut animae donatur by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
Purcell: The Indian Queen, Z. 630, Prologue: "Why should men quarrel?" (Girl) | Henry Purcell, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Minor | 1 | 10A | 130 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | ||
Missa Sancti Georgii: IV. Sanctus | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | E Major | 1 | 12B | 113 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: V. Gloria | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Les Arts Florissants, Bernard Deletré, William Christie, Jean-Paul Fouchécourt, Noemi Rime | D♭ Minor | 1 | 12A | 112 BPM | ||
Le Triomphe de la République ou Le Camp de Grand Pré, Scene 2: Village dance. The citizens of these shady groves (Thomas, Laurette, Old Man, Chorus) | Francois-Joseph Gossec, Diego Fasolis, I Barocchisti, Makato Sakurada, Salomé Haller, Philippe Huttenlocher, Swiss Radio Choir, Coro Calicantus, Mario Fontana | D Major | 1 | 10B | 137 BPM | ||
Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | ||
Canzoni et sonate (1615): Canzon VIII a 8 | Giovanni Gabrieli, Consort Fontegara, Rene Clemencic | A Minor | 0 | 8A | 99 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM |
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