Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo
Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis
Gossec: Grande Messe Des Morts / Symphonie A 17 Parties
4:01 March 8, 2001
BPM
168
Key
A♭ Major
Camelot
4B

Spotify

Apple Music

Amazon Music

Tidal

Pandora

YouTube Music

Embed

Share Link

Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo - Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis Information

Acousticness
95%
Danceability
16%
Energy
3%
Instrumentalness
0%
Liveness
9%
Loudness
57%
Speechiness
5%
Valence
4%
Popularity
1%
Loudness
-25.637 dB

Summary

"Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo" by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis was released on March 8, 2001. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francois-Joseph Gossec's "Gossec: Grande Messe Des Morts / Symphonie A 17 Parties" album is number 1 out of 28. The popularity of Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo BPM

We consider the tempo marking of Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: III. Allegro assaiJohann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A123 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
Symphony No. 7 in A major, Op. 92: III. Presto by Nicolaus Esterhazy SinfoniaSymphony No. 7 in A major, Op. 92: III. PrestoNicolaus Esterhazy SinfoniaD Major110B93 BPM
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto by Johannes Brahms, Maria Kliegel, Kristin MerscherCello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuettoJohannes Brahms, Maria Kliegel, Kristin MerscherA Minor08A104 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineF Minor24A117 BPM
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviDer Fischer und das Milchmädchen: XI. Allegretto ma non troppoGiacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviD Major110B77 BPM
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) by Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the FieldsTchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra)Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the FieldsF Major07B60 BPM
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro by Antonio Vivaldi, Tom Finucane, New London Consort, Philip PickettConcerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. AllegroAntonio Vivaldi, Tom Finucane, New London Consort, Philip PickettD♭ Major13B117 BPM
Orfeo ed Euridice: Overtura by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: OverturaChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterG Major29B76 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con motoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoD Major010B70 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6757087707519531

End: 0.6903960704803467