"Missa Sancti Georgii: IV. Sanctus" by Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss was released on June 2, 2023. The duration of Missa Sancti Georgii: IV. Sanctus is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Missa Sancti Georgii: IV. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss's "Missa Sancti Georgii" album is number 4 out of 7. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Missa Sancti Georgii: IV. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sancti Georgii: IV. Sanctus by Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
O Haupt voll blut und wunden: I. Chor "O Haupt voll blut und wunden" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Minor | 1 | 5A | 87 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
La Calisto, Act I Scene 2: Piante ombrose (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | D♭ Major | 2 | 3B | 120 BPM | ||
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM |
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